Resistant Practices in Communities of Sound

Table of Contents

• Cover 1
• RESISTANT PRACTICES in COMMUNITIES of SOUND 2
• Title 4
• Copyright 5
• Dedication 6
• CONTENTS 8
• Figures and Scores 12
• Introduction: Resistant Practices in Communities of Sound 16
• On Transcription: A Prelude (in Conversation with Deanna Fong) 39
• 1 “We make something out of what records we can find”: An Interview with Wayde Compton 63
• 2 Race, Multiplicity, and Dis/Located Voices: Wayde Compton’s Turntablist Poetics 75
• 3 “The fact of my mouth”: An Interview with Jordan Scott 90
• 4 Listening as Access: Toward Relational Listening for Nonnormative Speech and Communication 102
• 5 “That in-between space”: An Interview with Oana Avasilichioaei 118
• 6 New Forms of Digital, Temporal, and Auditory Poiesis 131
• 7 “It doesn’t mean anything except talking”: An Interview with Tracie Morris 149
• 8 “It’s resistance but it’s also embrace”: Tracie Morris’s Collaborative Ear, An Open Letter 168
• 9 “What is being resisted is our ‘yes’”: An Interview with Tawhida Tanya Evanson, El Jones, and Erin Scott 176
• 10 The Whatever-icity of Spoken Word: Community, Identity, Performativity 209
• 11 “A taking in, a holding with”: An Interview with Jordan Abel 226
• 12 Can We Think of Sound (or Voice) without Sight (or the Gaze)? Lacanian Theory and the Horror of Community 246
• 13 Transcript of Lesbian Liberation Across Media: A Sonic Screening Podcast, Introduction 259
• 14 Listening to LGBTQ2+ Communities at the Lesbian Liberation Across Media Watch Party 286
• 15 “It was an extension of the moment”: Five Poets in Conversation on Analog Audio Recording and Creative Practice 299
• 16 Curatorial Agency at Véhicule Art Inc.: “Openness was a guiding spirit to VÉHICULE” 337
• 17 “Songs are so much more than songs”: An Interview with Dylan Robinson 352
• 18 “Misaudition” 366
• Contributors 372
• Index 378