cover image: Taiwanese National Identity as  Portrayed in Popular Culture:  - A Study of the Film Cape No. 7

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Taiwanese National Identity as  Portrayed in Popular Culture:  - A Study of the Film Cape No. 7

2 Feb 2010

Kanji@utoronto.ca Introduction In La Dernière Classe, Alphonse Daudet writes about the anguish felt by a French schoolboy attending his last French language class in Alsace‐Lorraine. This story was written just after the Prussian annexation of Alsace‐Lorraine following the French defeat in the Franco‐Prussian War (1870‐1)1. It ignited deep nationalist and anti‐Prussian sentiments in . [...] Hong‐Chi Shiau. “Spectatorships, Pleasures and Social Uses of Cinema: A Tentative Study of the Reception of Cape No. 7.” Asian Cinema, 20: 1, 189—203 (Summer 2009) Books 1. [...] Davis, Darrel William and Yeh, Emilie Yueh‐Yu. Taiwanese Film Directors: A Treasure Island. New York: Columbia University Press, 2005. Internet Sources 1. [...] The Last Class (Jan/10) http://histclo.com/Country/fran/reg/fr‐alhfpw01.html Film 1. [...] Cape No. 7. Dir: Wei Te‐Sheng. Perf: Van Fan, Chie Tanaka. Jimmy Huang, Wei Te‐Sheng, 2008. .
Pages
9
Published in
Canada