2006 marked the 400th anniversary of a major theatrical event in the history of North American drama. The Theatre of Neptune in New France by lawyer, poet and historian Marc Lescarbot was a masque of welcome performed on the Bay of Fundy by members of the tiny French colony of Port Royal on November 14, 1606. It celebrated the return of the ship bearing the Sieur de Poutrincourt and navigator-explorer Samuel de Champlain from their travels along the coastline as far south as Cape Cod in search of a more temperate site for the colony.
It is a paean to empire, a thanksgiving for survival and an extraordinary theatrical spectacle in a ?new” world peopled by Native inhabitants who are represented in it as both characters and audience. Arguably the first American play, it has also been called ?a significant entry-point of Western cultural hegemony,” sparking political activists to disrupt the re-enactment planned for its four hundredth anniversary celebration.
This new edition includes the original French script along with its long out-of-print English translations by American historical preservationist Harriette Taber Richardson and Canadian scholars Eugene and Renate Benson, as well as Ben Jonson’s The Masque of Blackness (1605), an illustrative contemporary English imperial spectacle. The extensive historical and critical introduction and bibliography are provided by Jerry Wasserman, Professor of Theatre at the University of British Columbia.
It is a paean to empire, a thanksgiving for survival and an extraordinary theatrical spectacle in a ?new” world peopled by Native inhabitants who are represented in it as both characters and audience. Arguably the first American play, it has also been called ?a significant entry-point of Western cultural hegemony,” sparking political activists to disrupt the re-enactment planned for its four hundredth anniversary celebration.
This new edition includes the original French script along with its long out-of-print English translations by American historical preservationist Harriette Taber Richardson and Canadian scholars Eugene and Renate Benson, as well as Ben Jonson’s The Masque of Blackness (1605), an illustrative contemporary English imperial spectacle. The extensive historical and critical introduction and bibliography are provided by Jerry Wasserman, Professor of Theatre at the University of British Columbia.
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- Bibliography, etc. Note
- Includes bibliographical references: p. [105]-108
- Control Number Identifier
- CaOOCEL
- Dewey Decimal Classification Number
- 842/.4
- Dewey Decimal Edition Number
- 22
- General Note
- Text mainly in English. Text of Théâtre de Neptune in French with English translations by Harriette Taber Richardson and Eugene and Renate Benson Also includes Ben Jonson's The masque of blackness (1605) Translation of: Le Théâtre de Neptune en la Nouvelle-France Issued as part of the desLibris books collection
- ISBN
- 9781459312975 0889225478
- LCCN
- PQ1817.L652
- LCCN Item number
- T5413 2006eb
- Modifying agency
- CaBNVSL
- Original cataloging agency
- CaOONL
- Physical Description | Extent
- 1 electronic text (108 p.)
- Published in
- Canada
- Publisher or Distributor Number
- CaOOCEL
- Rights
- Access restricted to authorized users and institutions
- System Control Number
- (CaBNVSL)slc00214532 (OCoLC)288134822 (CaOOCEL)409417
- System Details Note
- Mode of access: World Wide Web
- Transcribing agency
- CaOONL
Table of Contents
- Contents 6
- List of Illustrations 7
- Acknowledgements: Getting to Know Neptune 8
- Introduction: Marc Lescarbot and the Spectacle of Empire 12
- A Note on the Texts 46
- Le Théâtre de Neptune en la Nouvelle-France 50
- The Theatre of Neptune in New France 62
- The Theatre of Neptune in New France 74
- Introduction to The Masque of Blackness: The Eloquence of Masques, the Spectacle of State, The Masque of Blackness 84
- The Masque of Blackness 92
- Bibliography 104