cover image: From Internationalism to Postcolonialism : Literature and Cinema between the Second and the Third Worlds

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From Internationalism to Postcolonialism : Literature and Cinema between the Second and the Third Worlds

19 Mar 2020

A reconstruction of Cold War-era cultural networks between the Second and Third Worlds that offers a compelling genealogy of contemporary postcolonial studies. Would there have been a Third World without the Second? Perhaps, but it would have looked very different. Although most histories of these geopolitical blocs and their constituent societies and cultures are written in reference to the West, the interdependence of the Second and Third Worlds is evident not only from a common nomenclature but also from their near-simultaneous disappearance around 1990. From Internationalism to Postcolonialism addresses this historical blind spot by recounting the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema: the Afro-Asian Writers Association (1958-1991) and the Tashkent Festival for African, Asian, and Latin American Film (1968-1988). The inclusion of writers and filmmakers from the Soviet Caucasus and Central Asia and extensive Soviet support aligned these organizations with Soviet internationalism. While these cultural alliances between the Second and the Third World never achieved their stated aim--the literary and cinematic independence of the literatures and cinemas of these societies from the West--they did forge what Ng�ug�i wa Thiong'o called the links that bind us, along which now-canonical postcolonial authors, texts, and films could circulate across the non-Western world until the end of the Cold War. In the process of this historical reconstruction, From Internationalism to Postcolonialism inverts the traditional relationship between Soviet and postcolonial studies: rather than studying the (post-) Soviet experience through the lens of postcolonial theory, it documents the multiple ways in which that theory and its attendant literary and cinematic production have been shaped by the Soviet experience.--$cProvided by publisher.
developing countries foreign relations soviet union motion pictures literatures 1945-1991 soviet influences

Authors

Rossen Djagalov

Related Organizations

Bibliography, etc. Note
Includes bibliographical references and index
Control Number Identifier
CaOOCEL
Date published
2020.
Description conventions
rda
Dewey Decimal Classification Number
327.470172/4
Dewey Decimal Edition Number
23
Distributor
Canadian Electronic Library (Firm),
General Note
Issued as part of the desLibris books collection
Geographic Area Code
d------
ISBN
0228002028 0228001099 9780228002017 9780228002024
LCCN
D888.S65
LCCN Item number
D53 2020eb
Modifying agency
CaBNVSL
Original cataloging agency
NLC
Physical Description | Extent
1 electronic text (xiii, 308 pages)
Published in
Ottawa, Ontario
Publisher or Distributor Number
CaOOCEL
Rights
Access restricted to authorized users and institutions
System Control Number
(CaBNVSL)kck00240825 (OCoLC)1125225832 (CaOOCEL)456903
System Details Note
Mode of access: World Wide Web
Transcribing agency
NLC

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