cover image: [05] INTRODUCTION

20.500.12592/p3bf1w

[05] INTRODUCTION

12 Oct 2017

At the time the WIPO Treaties began to be implemented, ISPs and search engines were viewed as neutral information However, the true effects of the Value Gap are not directly pipelines that had no knowledge of or control over the content linked to the text of the WIPO Treaties – in fact, the treaties they conveyed. [...] By The evidence presented during the hearing clearly that time, the right of composers and songwriters to be paid demonstrates that the commercial radio industry has for radio play had been in place in Canada for more than the ability to pay the full tariff, notwithstanding the three-quarters of a century.18 increases approved by the Board. [...] It found that global generation telecommunications companies and subsequently technology platforms have taken over large parts of the news enhanced in the Copyright Modernization Act of 2012 and media marketplace, but return a fraction of the ad revenue to other legislation, the growth of the new titans has come at great the news outlets and the journalists who conduct the research cost to artists. [...] “IN THE LONGER TERM, CANADIAN K-12 AND POST-SECONDARY STUDENTS, TEACHERS, AND PROFESSORS—NAMELY, THE USERS OF EDUCATIONAL CONTENT—WILL ALSO BE SUBJECT TO A LIMITED AVAILABILITY OF DIGITAL AND CANADIAN CONTENT, A DETERIORATION IN THE DIVERSITY AND QUALITY OF CONTENT USED IN THE CLASSROOM, AND A MARKET FRAMEWORK THAT ELIMINATES INCENTIVES AND DISCOURAGES INNOVATION IN THE CANADIAN DIGITAL, KNOWLEDGE. [...] For the music and filed a joint submission Copyright Directive, which industry, the campaign is as part of the ongoing largely clarified EU law to intended to highlight that review of the Digital lessen the impact of the music is increasingly used to Millennium Copyright Act.
Pages
42
Published in
Canada